The Yoked Squatters Archetypal Depictions of Yogic sitting Postures and milik mereka Contested definitions in Indian Art
PERSAMAAN DAN perbedaan UNSUR LOGAM BENDA-BENDA PERUNGGU sumatra BAGIAN utara DENGAN BENDA-BENDA PERUNGGU JAWA TENGAH
When India culture introduce come Indonesia Archipelago, some changes were happen in its indigenous culture. Among India affect was its faith i.e. Hinduism and also Buddhism. Both religion kemudian resemblance in material culture such as sacred... More
When India society introduce to Indonesia Archipelago, some changes were happen in its indigenous culture. One of India influence was its faith i.e. Hinduism and Buddhism. Both religion kemudian resemblance in product culture seperti as sacred building (temple), rites utensils (statue, bell, monk rod finial, etc.), or inscription. One of its material source to made those things is bronze. When Indian culture was introduced, the natives weren't take it because that granted take on Indian concept for developing bronze things. Through XRF analysis, recognized that bronze artefacts from north Sumatra and Java aren't adopt ide from India traditions i.e. Astadhatu and pancaloha. Indian influence on bronze artefacts from north Sumatra and Java deserve to see on fullfilness of religious beliefs concept, particularly on statues. It seen on the choosing of spesial metals as dominan elements for bronze statue construction. This study reveals several of similarities and also diverences in construction facets between north Sumatra and Java bronze artifacts. Petikan Kebudayaan India (Hindu-Buddha) masuk nanti Nusantara membawa sejumlah perubahan dalam kebudayaan penghuni pulau-pulau tersebut. Deviasi satu unsur budaya apa terpengaruh adalah konsep-konsep religi yang berasal dari keagamaan Hindu dan Buddha. Unsur religi tersebut diwujudkan dalam bentuk-bentuk sebagai bangunan sakral (candi), alat-alat upacara (arca, genta, khakhara dll), maupun pertulisan (prasasti dan naskah). Deviasi satu nyata pembentuk hasil budaya material menyertainya adalah logam, yang salah satu jenisnya adalah perunggu. Kapan kebudayaan India masuk ke kawasan kepulauan, para penghuni Nusantara noël serta-merta mengadopsi treatise pembuatan benda-benda perunggu dari India. Melalui analisis XRF (X beam Fluorescence) terhadap benda-benda perunggu dari masa pengaruh kebudayaan India di pulau Jawa dan sumatera bagian phia băc diketahui, bahwa noel satupun artefak perunggu dari detik pulau itu apa unsur penyusunnya berpedoman diatas kaidah dari India (utara maupun selatan) yang dikenal kemudian astadhatu dan pancaloha. Dikerahkan pengaruh dari India bersinar pada upaya pemenuhan risalah religi yang melatarbelakangi ujud dari objek perunggu apa dibuat, khususnya yang berupa arca. Chapter itu lampu pada pemilihan jenis logam tertentu such unsur dominan penyusun arca perunggu. Chapter lain yang berhasil diungkap adalah sejumlah sama dan perbedaan unsur-unsur penyusun antara artefak perunggu dari sumatera bagian north dibanding objek sejenis dari pulau Jawa.

Anda sedang menonton: Persamaan dan perbedaan agama hindu dan budha



Publications of Gerd J.R. Mevissen 1980-2020

2016 - Three imperial Temple structures in south India: Tripurantaka Imagery as a explain of politik Power
South oriental Archaeology 1989, documents from the Tenth international Conference of southern Asian archaeologists in west Europe, Musée national des arts Asiatiques Guimet, Paris, France, 3-7 July 1989, ed. C. JARRIGE, Monographs in World... More
South asian Archaeology 1989, documents from the Tenth international Conference of south Asian archaeologists in western Europe, Musée national des arts Asiatiques Guimet, Paris, France, 3-7 July 1989, ed. C. JARRIGE, Monographs in dunia Archaeology n° 14, madison Wisconsin: Prehistory Press, 1992, pp. 301-308.
South eastern Archaeology 2001, Proceedings that the Sixteenth worldwide Conference of the europe Association the South oriental Archaeologists telah terorganisir in Collège de France, Paris, 2-6 July 2001, Edited by CATHERINE JARRIGE and VINCENT... More
South asian Archaeology 2001, Proceedings of the Sixteenth international Conference of the europe Association that South eastern Archaeologists dipegang in Collège de France, Paris, 2-6 July 2001, Edited by CATHERINE JARRIGE and also VINCENT LEFÈVRE. Paris: adpf/Éditions Recherches sur les Civilisations, 2005, vol. II, pp. 389-95
Mañjuśrī au geste de l"enseignement, in: premier Colloque E. Lamotte (Bruxelles et Liège 24-27 septembre 1989), Louvain-la-Neuve : publication de l"Institut Orientaliste de Louvain, Université Catholique de Louvain, vol. 42, 1993, pp. 149-160
Proceedings the the XXXII International congress for eastern and north African Studies, Hamburg, 25th-30th respectable 1986 (ZDMG-Suppl. 9), eds A. Wezler & E. Hammerschmidt, 1992, Stuttgart: Franz Steiner Verlag, pp. 112-114.
2004 - "Vāsudeva-Viṣṇu-Padmapāṇi and also Avalokiteśvara-Śiva," in: interaksi Between Brāhmaṇical and also Buddhist Art, ed. Through R.C. Sharma, new Delhi 2004, pp. 93-99 + plates.

Lihat lainnya: Niat Sholat Jamak Taqdim Zuhur Dan Asar, Rangkuman Usbn Agama (Autosaved)


2015 - SciBa upgrade 1: addenda, corrigenda, desiderata et monenda come "Sculptures in Bangladesh" (2008)
Additional material and also appendices come the volume: Sculptures in Bangladesh. An perform of choose Hindu, Buddhist and also Jain tidak hadir and Bronze images in Museums and also Collections of Bangladesh (up come the 13th Century). Edited by Enamul... More
Additional material and also appendices to the volume:Sculptures in Bangladesh. An perform of choose Hindu, Buddhist and also Jain batu and Bronze images in Museums and also Collections the Bangladesh (up to the 13th Century). Edited by Enamul Haque and Adalbert J. Gail. V contributions through Gouriswar Bhattacharya, Adalbert J. Gail, Enamul Haque, Isabell Johne, Gerd J.R. Mevissen and Falk Reitz. Dhaka: International tengah for untuk mempelajari of Bengal Art, 2008 (Studies in Bengal Art series No. 8).